"Il barbiere di Siviglia / Act 1: Che cosa accadde" by Gioachino Rossini, Manuel Ausensi, Fernando Corena, Nicolai Ghiaurov, Ugo Benelli, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso was released on January 1, 1965. The duration of Il barbiere di Siviglia / Act 1: Che cosa accadde is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Il barbiere di Siviglia / Act 1: Che cosa accadde's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #2. Il barbiere di Siviglia / Act 1: Che cosa accadde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia / Act 1: Che cosa accadde by Gioachino Rossini, Manuel Ausensi, Fernando Corena, Nicolai Ghiaurov, Ugo Benelli, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Can Can | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 7 | 10B | 82 BPM | ||
Petite messe solennelle: Credo: Petite messe solennelle: Credo: III. Et resurrexit | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | E Major | 1 | 12B | 130 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus) | Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Philharmonia Orchestra, Roberta Benaglio, Tito Gobbi | G Major | 3 | 9B | 116 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Carmina Burana: XXIV. Ave formosissima | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | E Minor | 2 | 9A | 86 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 74 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM |
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