"Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble)" by Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi was released on January 1, 2004. With Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 15 in Classic Moods - Bach, J.S. / Gounod, C.-F. / Beethoven, L. Van / Schubert, F. / Wieniawski, H. / Dvorak, A. / Bruch, M. / Grieg, E. by Various Artists, Bela Banfalvi, György Gyorivanyi-Rath, Peter Wohlert, Janos Sandor. In terms of popularity, Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) by Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Santa Lucia - Arranged for Piano | Anonymous , Marco Falossi | F Major | 0 | 7B | 45 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Pictures at an Exhibition: Promenade | Modest Mussorgsky, Evgeny Kissin | F Major | 2 | 7B | 112 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Ich sachz eyns mols (Glogauer Liederbuch, c. 1480) | Anonymous, Joculatores Upsalienses | D Minor | 0 | 7A | 101 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM |
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