Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Philharmonia Orchestra, Roberta Benaglio, Tito Gobbi made "Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus)" available on 1958. With this song being about 5 minutes long, at 4:37, "Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus)" by Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Philharmonia Orchestra, Roberta Benaglio, Tito Gobbi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Rossini: Il barbiere di Siviglia (1957 - Galliera) - Callas Remastered". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus) by Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Philharmonia Orchestra, Roberta Benaglio, Tito Gobbi having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 6 Finale primo: Se pari agli accenti (Gregory Kunde, Jeffrey Francis, Renée Fleming, Chorus) - Voice | Not Documented, Gioachino Rossini, Daniele Gatti, Orchestra del Teatro Comunale di Bologna | C Major | 2 | 8B | 113 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. Saltarello | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Minor | 1 | 9A | 100 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM |
Section: 0.8971631526947021
End: 0.9017441272735596