Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz's 'Il barbiere di Siviglia (The Barber of Seville): Overture' came out on June 15, 1989. Since Il barbiere di Siviglia (The Barber of Seville): Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rossini: Overtures". In this album, this song's track order is #2. The popularity of Il barbiere di Siviglia (The Barber of Seville): Overture is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia (The Barber of Seville): Overture by Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Il Barbiere di Siviglia: In somma, mio signore, chi è lei | Gioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Lily Pons, Alberto Erede | D Major | 2 | 10B | 80 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
12 Etudes, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Tamás Vásáry | E Major | 1 | 12B | 138 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM |
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