Orchestra of the Viennese Volksoper & Alfred Scholz made "Tritsch Tratsch - Galopp Polka, Op. 214" available on January 1, 2009. The duration of Tritsch Tratsch - Galopp Polka, Op. 214 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Tritsch Tratsch - Galopp Polka, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra of the Viennese Volksoper & Alfred Scholz's "Great Strauss Waltzes, Polkas & Marches: Alfred Scholz & The Viennese Folk Opera Orchestra" album is number 17 out of 21. On top of that, United States appears to be the country where this track was created. Tritsch Tratsch - Galopp Polka, Op. 214 is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tritsch Tratsch - Galopp Polka, Op. 214 by Orchestra of the Viennese Volksoper & Alfred Scholz to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 2: V. La Garde Montnate (Act 1) | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 115 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Va Pensiero | Marc Fortier | C Major | 1 | 8B | 103 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Tbilisi Symphony Orchestra | F♯ Major | 2 | 2B | 95 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Minuet from String Quintet in E Major, Op. 13, No. 5 | Boris Khaykin, Bolshoi Theatre Orchestra | G Minor | 1 | 6A | 103 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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