On November 15, 2011, the song "Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos"" was released by Jacques Offenbach, Inma Shara. The duration of Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Inma Shara's "La Isla De Los Sonidos: La Ciudad Sin Luz" album is number 12 out of 13. On top of that, Spain appears to be the country where this track was created. Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" by Jacques Offenbach, Inma Shara to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
Military March | Franz Schubert, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch | C Major | 1 | 8B | 120 BPM | ||
Danza Cinese | Orchestra Italiana | B♭ Major | 2 | 6B | 112 BPM | ||
Toccata and Fugue in D Minor, BWV 565: 2. Fugue | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 91 BPM | ||
El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM | ||
Sinfonische Dichtung für großes Orchester, Op. 30: No. 1, Einleitung | Orquesta Sinfonica de Londres, Walter Kempe | F Major | 4 | 7B | 78 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | ||
Lago De Los Cisnes Vals | Orquestra Sinfonica De Radio Praga | B♭ Minor | 3 | 3A | 136 BPM | ||
Suite for Orchestra No.3 in D Major BWV 1068 | Hamburg Symphony Orchestra | D Major | 3 | 10B | 94 BPM | ||
The Red Poppy: Russian Sailors' Dance | Reinhold Moritzewitsch Glière, Eugene Ormandy, Philadelphia Orchestra | A Minor | 5 | 8A | 88 BPM |
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