- BPM
- 91
- Key
- D Minor
- Camelot
- 7A
Toccata and Fugue in D Minor, BWV 565: 2. Fugue - Johann Sebastian Bach, Simon Preston Information
- Acousticness
- 77%
- Danceability
- 18%
- Energy
- 21%
- Instrumentalness
- 3%
- Liveness
- 12%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 15%
- Popularity
- 29%
- Loudness
- -16.921 dB
Summary
"Toccata and Fugue in D Minor, BWV 565: 2. Fugue" by Johann Sebastian Bach, Simon Preston was released on January 1, 1989. Toccata and Fugue in D Minor, BWV 565: 2. Fugue is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 2 out of 18 in Bach, J.S.: Toccata and Fugue BWV 565; Organ Works BWV 572, 590, 532, 769 & 552 by Johann Sebastian Bach, Simon Preston. In terms of popularity, Toccata and Fugue in D Minor, BWV 565: 2. Fugue is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Toccata and Fugue in D Minor, BWV 565: 2. Fugue BPM
The tempo marking of Toccata and Fugue in D Minor, BWV 565: 2. Fugue by Johann Sebastian Bach, Simon Preston is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Toccata and Fugue in D Minor, BWV 565: 2. Fugue Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | |
 | Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | |
 | Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 2 | 10A | 120 BPM | |
 | Der Himmel lacht, die Erde jubilieret, BWV 31: No. 1, Sonata | Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Armin Mannel, Hartmut Thieme, Harry Haertel, Peter Fischer, Burkhard Schmidt, Heinz Morawietz, Almuth Reuter | F Major | 6 | 7B | 156 BPM | |
| Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | |
 | Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6735992431640625
End: 0.6802327632904053