- BPM
- 95
- Key
- B Major
- Camelot
- 1B
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries - London Philharmonic Orchestra Information
- Acousticness
- 92%
- Danceability
- 21%
- Energy
- 42%
- Instrumentalness
- 93%
- Liveness
- 12%
- Loudness
- 80%
- Speechiness
- 3%
- Valence
- 11%
- Popularity
- 1%
- Loudness
- -12.021 dB
Summary
"Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries" by London Philharmonic Orchestra was released on September 15, 2005. With this song being about 5 minutes long, at 5:11, "Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries" by London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 99 in the song's album "The 99 Most Essential Classics of the Romantic Era". In this album, this song's track order is #40. In terms of popularity, Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries BPM
With Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries by London Philharmonic Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries Key
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sylvia, Suite: 3. Pizzicati | Léo Delibes, Gothenburg Symphony Orchestra, Neeme Järvi | C Minor | 1 | 5A | 142 BPM | |
 | Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | |
 | Adagio for Strings (Platoon) | Samuel Barber, Alberto Lizzio, Camerata Romana | B♭ Minor | 1 | 3A | 85 BPM | |
 | Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue | Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington | C Major | 1 | 8B | 68 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 9 Wedding March | Felix Mendelssohn, Royal Concertgebouw Orchestra, George Szell | G Minor | 2 | 6A | 132 BPM | |
 | Vaughan Williams: Symphony No. 6 in E Minor: IV. Epilogue. Moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM | |
 | Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM | |
 | BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | |
 | Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM | |
 | Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, London Philharmonic Orchestra, Bernard Haitink | A♭ Minor | 5 | 1A | 91 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8565919399261475
End: 0.8601658344268799