Georges Bizet, Arthur Fiedler, Boston Pops Orchestra made "Farandole" available on October 30, 1991. The duration of Farandole is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Farandole's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Classics - Greatest Hits by Various Artists. In terms of popularity, Farandole is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Farandole by Georges Bizet, Arthur Fiedler, Boston Pops Orchestra is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 3 | 2B | 98 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | G Major | 2 | 9B | 91 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Toccata and Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Hannes Kästner | D Minor | 1 | 7A | 66 BPM | ||
Overture Candide | Leonard Bernstein, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 4 | 5B | 159 BPM |
Section: 0.5877337455749512
End: 0.5919713973999023