"Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries" by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund was released on June 15, 1989. With this song being about 5 minutes long, at 5:28, "Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries" by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner, R.: Ring (Der) (Orchestral Highlights) by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund. The song's track number on the album is #2 out of 6 tracks. In terms of popularity, Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Čistá Bridlica | Steph Copeland, Slovak Radio Symphony Orchestra, Anton Popovic | G Major | 1 | 9B | 77 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
The Ghost of Frankenstein: Monster Kidnaps Child / Monster's Desire | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B Major | 0 | 1B | 120 BPM | ||
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM | ||
Tristan und Isolde, WWV 90, Act II Scene 2: Einsam wachend in der Nacht | Richard Wagner, Janina Baechle, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | Ludwig van Beethoven, Jenő Jandó | F♯ Minor | 1 | 11A | 83 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM |
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