Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind made "Der Freischutz, J. 277: Huntsmen's Chorus" available on February 28, 1997. The duration of Der Freischutz, J. 277: Huntsmen's Chorus is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Der Freischutz, J. 277: Huntsmen's Chorus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Maria von Weber's "German Operatic Choruses" album is number 5 out of 14. In terms of popularity, Der Freischutz, J. 277: Huntsmen's Chorus is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Der Freischutz, J. 277: Huntsmen's Chorus by Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
National Anthem of the Republic of Colombia (Colombia) [Arr. P. Breiner] | Oreste Sindici, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 1 | 5B | 105 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Violin Concerto in G Minor, Op. 8, No. 2, RV 315 "L'estate": III. Presto (Tempo impetuoso d'estate) | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | E♭ Major | 0 | 5B | 52 BPM | ||
Concerto for Violin and Strings in E Major, Op. 8, No. 1, RV 269 "La Primavera": 3. Allegro (Danza pastorale) | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | E♭ Major | 1 | 5B | 105 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | E Major | 1 | 12B | 131 BPM | ||
Agnus Dei | Giuseppe Verdi, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | C Major | 0 | 8B | 87 BPM | ||
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Grande Polonaise in E-Flat Major, Op. 21, J. 59 | Carl Maria von Weber, Michael Endres | E♭ Major | 1 | 5B | 107 BPM |
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