Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto' came out on June 7, 2004. With Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 35 in Bayer: Fairy Doll (The) (Complete Ballet) by Josef Bayer. In terms of popularity, Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Don Quixote: Act I: Coda: Basilio and Quiteria make their escape | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 2 | 10B | 167 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 1 In G Major | Slovak Sinfonietta, Zilina, Johann Strauss I | G Major | 3 | 9B | 133 BPM | ||
Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (excerpt) | Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia | C Major | 2 | 8B | 99 BPM | ||
Suite bergamasque: III. Clair de lune (arr. A. Reed): Clair de lune | Claude Debussy, Alfred Reed, Slovak Radio Symphony Orchestra, Keith Clark | D♭ Major | 1 | 3B | 81 BPM | ||
Swan Lake - Prelude | London Philharmonic Orchestra | B Minor | 0 | 10A | 85 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Exeter-Polka, Op. 249 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 94 BPM | ||
Etudes: VII. Pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM | ||
Turandot, J. 75: Overture | Carl Maria von Weber, City Of Birmingham Symphony Orchestra, Lawrence Foster | C Major | 1 | 8B | 127 BPM |
Section: 0.5855746269226074
End: 0.5891909599304199