Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle's 'Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)' came out on February 26, 2010. With this song being about 5 minutes long, at 4:48, "Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)" by Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Best Classics, so we believe that "Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)" is a single. Based on our statistics, Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) by Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, Johann II : An der schönen, blauen Donau Op.314 [Blue Danube Waltz] | Johann Strauss II, Armin Jordan, Basler Sinfonie Orchester | D♭ Major | 6 | 3B | 105 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe | A Minor | 3 | 8A | 121 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Concerto In E Major "La primavera", Op. 8, No. 1, RV 269: I. Allegro | Antonio Vivaldi, Nadja Salerno-Sonnenberg, Orchestra of St. Luke's | E Major | 1 | 12B | 108 BPM | ||
Waltz No.6 in D flat major, Minute Waltz Op. 64 No.1 | Ketevan Badridze | D♭ Major | 1 | 3B | 130 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM |
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