"El Amor Brujo: Danza ritual del fuego" by Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande was released on May 1, 2017. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 13 in De Falla: Noches en los jardines de España & El sombrero de tres picos by Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande, Mari Kodama, Sophie Harmsen. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, El Amor Brujo: Danza ritual del fuego's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Amor Brujo: Danza ritual del fuego by Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bella Durmiente, Op.66 - Vals | Pyotr Ilyich Tchaikovsky, Inma Shara | B♭ Major | 2 | 6B | 181 BPM | ||
Monti, Vittorio: Csárdás for Violin and Orchestra (Largo maestoso - Allegro vivace - Meno quasi lento - Allegretto) | Vittorio Monti, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | D Major | 1 | 10B | 91 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Coppélia / Tableau 2: No.14 Scène et Valse de la Poupée | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 0 | 10B | 80 BPM | ||
Petite Suite, L.65: 1. En bateau | Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet | C Major | 0 | 8B | 63 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
El Vol Del Borinot | Nikolai Rimsky-Korsakov, Jascha Heifetz, Smerald Spahiu, Miquel Estelrich | G Minor | 4 | 6A | 162 BPM |
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