London Festival Orchestra Alfred Scholz made "Carmen, Opera Suite No. 1: V. Seguedille, Act 1" available on January 1, 2009. With Carmen, Opera Suite No. 1: V. Seguedille, Act 1 being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Carmen, Opera Suite No. 1: V. Seguedille, Act 1 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen, Opera Suite No. 1: V. Seguedille, Act 1 by London Festival Orchestra Alfred Scholz is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Suite in D, Voluntary 6/6: Trumpet Tune in D | John Stanley, John Wilbraham, Leslie Pearson, London Festival Orchestra, Tutti Camarata | D Major | 3 | 10B | 129 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Vals del Emperador, Op. 437 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Major | 3 | 8B | 183 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM |
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