Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra's 'Gayaneh: Sabre Dance' came out on January 1, 1994. The duration of Gayaneh: Sabre Dance is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Gayaneh: Sabre Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Tchaikovsky: 1812 Overture / Borodin: Polovtsian Dances / Glinka: Ruslan & Lyudmila / Khachaturian / Liadov". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Gayaneh: Sabre Dance is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gayaneh: Sabre Dance by Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Children's Album, Book 1: VIII. Intervention | Aram Khachaturian, Iyad Sughayer | F Minor | 0 | 4A | 72 BPM | ||
Carmen Suite No. 2: Danse bohème. Andante quasi Allegretto (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D♭ Minor | 4 | 12A | 129 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
Peer Gynt, Op. 23 - Concert version by Kurt Masur & Friedhelm Eberle: "In the Hall of the Mountain King" | Edvard Grieg, Friedhelm Eberle, MDR Leipzig Radio Chorus, Gewandhausorchester, Kurt Masur | C Major | 0 | 8B | 86 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM |
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