Tbilisi Symphony Orchestra's 'Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King' came out on October 28, 2008. The duration of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tbilisi Symphony Orchestra's "Grieg: Peer Gynt and Piano Concerto" album is number 7 out of 11. In terms of popularity, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King by Tbilisi Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No.6 in D flat major, Minute Waltz Op. 64 No.1 | Ketevan Badridze | D♭ Major | 1 | 3B | 130 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Canon In D Major | Johann Pachelbel, Robert Haydon Clark, Consort of London | D Major | 1 | 10B | 85 BPM | ||
Gaîté Parisienne: Cancan | Jacques Offenbach, Leonard Bernstein, New York Philharmonic | D Major | 7 | 10B | 87 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Egmont, Op. 84: Overture in F Minor | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | F Minor | 2 | 4A | 178 BPM | ||
Clair de lune | Claude Debussy, Finghin Collins | D♭ Major | 0 | 3B | 71 BPM | ||
Swan Lake, Op. 20a: No. 3, Dance of the Swans | Pyotr Ilyich Tchaikovsky, Marko Munih, RTV Slovenia Symphony Orchestra | F♯ Minor | 1 | 11A | 116 BPM | ||
Symphonic Suite from the ballet Amazons: Fema | Vakhtang Kakhidze, Tbilisi Symphony Orchestra, Djansug Kakhidze | D♭ Major | 2 | 3B | 64 BPM |
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