Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy made "The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee" available on January 1, 1987. With The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Rimsky-Korsakov: Scheherazade, Tsar Saltan - Suite, The Flight of the Bumble Bee". In this album, this song's track order is #8. The popularity of The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee by Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy having a BPM of 187 with a half-time of 94 BPM and a double-time of 374 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
String Quartet in F, H.III No.17, Op.3 No.5 - "Serenade": 2. Andante cantabile | Roman Hoffstetter, I Musici | C Major | 0 | 8B | 88 BPM | ||
St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | A Major | 1 | 11B | 82 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM |
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