"12 Etudes, Op. 10: No. 3 in E Major "Tristesse"" by Frédéric Chopin, Tamás Vásáry was released on January 1, 1988. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frédéric Chopin, Vladimir Ashkenazy, Christoph Eschenbach's "In mir klingt ein Lied... Die schönsten Klavierstücke von Frédéric Chopin" album is number 1 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 12 Etudes, Op. 10: No. 3 in E Major "Tristesse"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Etudes, Op. 10: No. 3 in E Major "Tristesse" by Frédéric Chopin, Tamás Vásáry to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major | Johannes Brahms, Moura Lympany | A♭ Major | 1 | 4B | 102 BPM | ||
Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt | Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Major | 4 | 11B | 136 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major. Andante | Franz Schubert, Alfred Brendel | G Minor | 1 | 6A | 137 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 149 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Chopin: Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 | Frédéric Chopin, Alexandre Tharaud | D♭ Minor | 1 | 12A | 128 BPM | ||
Piano Concerto No.1 In B Flat Minor, Op.23, TH.55: 1. Allegro non troppo e molto maestoso - Allegro con spirito - Excerpt | Pyotr Ilyich Tchaikovsky, Lazar Berman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 135 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM |
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