Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung made "Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt" available on January 1, 1991. The duration of Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Bizet: Carmen Suite; L'Arlésienne Suites by Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt by Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling) | Johannes Brahms, NDR Elbphilharmonie Orchester, John Eliot Gardiner | G Minor | 2 | 6A | 152 BPM | ||
Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 5 | 10B | 116 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Rigoletto / Act III: La donna è mobile | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 1 | 1B | 168 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Major | 1 | 7B | 112 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 135 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 6, Thème slave varié (Allegretto non troppo - Variations Nos. 1-4 - Allegro non troppo) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | A Major | 2 | 11B | 136 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |
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