Johannes Brahms, NDR Elbphilharmonie Orchester, John Eliot Gardiner's 'Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling)' came out on September 21, 2022. The duration of Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 180 out of 189 in A Season of Music: Brahms by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling) by Johannes Brahms, NDR Elbphilharmonie Orchester, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto No. 2 In B Minor, Op. 7, MS.48: 3. Rondo à la clochette, 'La campanella' - Excerpt | Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | B Minor | 3 | 10A | 113 BPM | ||
Má Vlast, JB1:112: 2. Vltava - Excerpt | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelik | C Major | 2 | 8B | 118 BPM | ||
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 135 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
Ave Maria, "Ellens Gesang III", D839 - Excerpt | Franz Schubert, Gundula Janowitz, Irwin Gage | B♭ Major | 0 | 6B | 71 BPM | ||
Feuerfest Polka, Op. 269 | Josef Strauss, Wiener Philharmoniker, Willi Boskovsky | D Major | 5 | 10B | 96 BPM |
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