Josef Strauss, Wiener Philharmoniker, Willi Boskovsky made "Feuerfest Polka, Op. 269" available on June 2, 2015. The duration of Feuerfest Polka, Op. 269 is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Feuerfest Polka, Op. 269's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Great Conductors: Willi Boskovsky & Wiener Philharmoniker (2015 Digital Remaster)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Feuerfest Polka, Op. 269 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Feuerfest Polka, Op. 269 by Josef Strauss, Wiener Philharmoniker, Willi Boskovsky having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radetzky-Marsch (Marsch, Nr.228) | Wiener Philharmoniker | A Major | 6 | 11B | 106 BPM | ||
Postillon Galop, Op. 16/2 | Hans Christian Lumbye, Andris Nelsons, Wiener Philharmoniker | E♭ Major | 4 | 5B | 164 BPM | ||
Freikugeln Op. 326 (Polka) | Johann Strauss Orchester | B♭ Major | 4 | 6B | 158 BPM | ||
Prinz Eugen-Marsch, Op. 186 | Josef Strauss, Christian Pollack, Slovak State Philharmonic Orchestra | B♭ Major | 3 | 6B | 104 BPM | ||
Suite: Ring Round the Moon: VIII. Galop | Richard Addinsell, BBC Concert Orchestra | D Major | 2 | 10B | 138 BPM | ||
Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt) | Sir Henry Wood, BBC Concert Orchestra, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Wiener Philharmoniker, Giuseppe Sinopoli | G Major | 1 | 9B | 62 BPM |
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