"Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major" by Johannes Brahms, Moura Lympany was released on October 13, 1995. With Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Piano Favorites". In this album, this song's track order is #2. In terms of popularity, Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major by Johannes Brahms, Moura Lympany having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
4 Ballades, Op. 10: No. 4 In B | Johannes Brahms, Arturo Benedetti Michelangeli | B Major | 0 | 1B | 74 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Haydn: Piano Concerto No. 11 in D Major, Hob. XVIII:11: III. Rondo all'Ungarese (Cadenza by Tharaud) | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 2 | 10B | 83 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Scriabin: 12 Études, Op. 8: No. 12 in D-Sharp Minor | Alexander Scriabin, Moura Lympany | E♭ Major | 0 | 5B | 71 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 2, Allegretto scherzando | Claude Debussy, Jean-Bernard Pommier | E Major | 0 | 12B | 73 BPM |
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