On January 25, 2005, the song "Gaîté parisienne: No. 4: Ländler: Allegro" was released by Jacques Offenbach, Arthur Fiedler. With Gaîté parisienne: No. 4: Ländler: Allegro being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Offenbach: Gaîté parisienne". In this album, this song's track order is #4. In terms of popularity, Gaîté parisienne: No. 4: Ländler: Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Gaîté parisienne: No. 4: Ländler: Allegro by Jacques Offenbach, Arthur Fiedler having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne | Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | A Major | 6 | 11B | 88 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Major | 1 | 7B | 125 BPM | ||
Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres | Richard Wagner, Orchestre de Paris, Daniel Barenboim | G Major | 3 | 9B | 100 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM |
Section: 0.6174426078796387
End: 0.6217858791351318