On January 1, 1995, the song "Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba"" was released by George Frideric Handel, The English Concert, Trevor Pinnock. The duration of Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" is about 3 minutes long, at 3:08. Based on our data, "Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Michael Laird, Christian Rutherford, Anthony Halstead, The English Concert, Trevor Pinnock's "Handel: Music for the Royal Fireworks" album is number 11 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" by George Frideric Handel, The English Concert, Trevor Pinnock to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Symphony No.5 in D Major: 2. Tempo di Gavotta | William Boyce, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 123 BPM | ||
Symphony No. 2 in A Major: 2. Vivace | William Boyce, The English Concert, Trevor Pinnock | A♭ Major | 1 | 4B | 174 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau | Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski | C Major | 6 | 8B | 95 BPM |
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