Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel made "Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne" available on December 16, 2016. With this song being about 5 minutes long, at 4:34, "Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne" by Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne by Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Strauss, Johann II: Auf der Jagd - Polka schnell, Op. 373 | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | A Major | 4 | 11B | 88 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Dansa brasileira | Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes | F♯ Minor | 3 | 11A | 102 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Strauss, J. II: Der Zigeunerbaron, Act 1: "Zum Reichtum gratulier' ich Euch" - "Verloren hast du einen Schatz" (Carnero, Czipra) | Johann Strauss II, Franz Allers, Biserka Cvejic, Wolfgang Anheisser, Bavarian State Orchestra | B♭ Major | 5 | 6B | 117 BPM |
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