Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra made "Minuet from String Quintet in E Major, Op. 13 No. 5" available on January 1, 1995. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi / Boccherini: Cello Concertos by Mischa Maisky, Orpheus Chamber Orchestra. The song's track number on the album is #11 out of 17 tracks. Based on our data, Germany was the country where this track was produced or recorded. Minuet from String Quintet in E Major, Op. 13 No. 5 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Minuet from String Quintet in E Major, Op. 13 No. 5 by Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Minuet from String Quintet in E Major, Op. 13 No. 5 being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Concerto for Cello & Orchestra No. 6 in D Major, G. 479: I. Allegro | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | G Major | 1 | 9B | 93 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
Vivaldi: Concerto for Two Cellos in G Minor, RV 531: II. Largo | Antonio Vivaldi, Il Giardino Armonico, Christophe Coin, Paolo Beschi, Giovanni Antonini | G Minor | 0 | 6A | 83 BPM |
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