Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio - Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra Information

Acousticness: 93%
Danceability: 12%
Energy: 11%
Instrumentalness: 13%
Liveness: 8%
Loudness: 64%
Speechiness: 4%
Valence: 5%
Popularity: 29%
Loudness: -21.357 dB

Summary

"Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio" by Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra was released on February 23, 2018. Since Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 3 in Bruch: Violin Concerto No. 1 by Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio BPM

The tempo marking of Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Wagner: Albumblatt, WWV 94	Richard Wagner, Renaud Capuçon	A Major	2	11B	87 BPM
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco	Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris	A Minor	4	8A	128 BPM
Viola Concerto in C Minor: II. Adagio molto espressivo	Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens	A♭ Major	2	4B	133 BPM
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante	Johannes Brahms, London Philharmonic Orchestra, Marin Alsop	F♯ Major	3	2B	125 BPM
Sonata in E Major, K. 380	Domenico Scarlatti, Khatia Buniatishvili	B Major	0	1B	84 BPM
Malagueña, op.165 No.3	Itzhak Perlman, Samuel Sanders	G Major	1	9B	89 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version	Henryk Wieniawski, Itzhak Perlman, Samuel Sanders	D Major	3	10B	114 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	3	7A	101 BPM
Viotti: Violin Concerto No. 22 in A Minor: III. Agitato assai	Giovanni Battista Viotti, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra	A Minor	2	8A	104 BPM

ISRC: GBAYC8300020
Label: L-M Records/RCA Records

Section: 0.6877312660217285

End: 0.6915664672851562