"Messe solennelle de Ste. Cécile: Sanctus" by Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon was released on January 1, 2014. Messe solennelle de Ste. Cécile: Sanctus is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Elina Garanca, Adolphe Adam, Charles Gounod, Georges Bizet, Giacomo Puccini, Giulio Caccini, Gregorio Allegri, Pēteris Vasks, Pietro Mascagni, Ugis Praulins, Vladimir Vavilov, William Gomez, Wolfgang Amadeus Mozart's "Meditation" album is number 1 out of 14. Based on our statistics, Messe solennelle de Ste. Cécile: Sanctus's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe solennelle de Ste. Cécile: Sanctus by Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Serse, HWV 40, Act I: Ombra mai fù, "Largo" | George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 1 | 5B | 153 BPM | ||
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Edward Higginbottom, Capricorn Ensemble, Choir of New College, Oxford | G Major | 1 | 9B | 76 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 0 | 10B | 80 BPM | ||
All-night Vigil, Op. 37, "Vespers": O Joyful Light | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 2 | 4B | 105 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos, W.389: Aria (Cantilena) | Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble | A Minor | 1 | 8A | 99 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Ave Maria | Bertalan Hock, Charles Gounod | G Major | 2 | 9B | 63 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM |
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