Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis)
Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra
Hindemith: Mathis der Maler
3:53 April 1, 1995
BPM
87
Key
D Major
Camelot
10B

Embed

Share Link

Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis) - Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Information

Acousticness
97%
Danceability
25%
Energy
10%
Instrumentalness
0%
Liveness
17%
Loudness
66%
Speechiness
4%
Valence
12%
Popularity
Loudness
-20.205 dB

Summary

"Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 4 out of 61. On top of that, United Kingdom appears to be the country where this track was created. Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis) BPM

We consider the tempo marking of Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis) Key

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Clarinet Concerto: I. Allegro by Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo BeltraminiClarinet Concerto: I. AllegroJean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo BeltraminiA Major211B128 BPM
Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba by Ottorino Respighi, New York Philharmonic, Giuseppe SinopoliFontane di Roma, P. 106: I. La fontana di Valle Giulia all'albaOttorino Respighi, New York Philharmonic, Giuseppe SinopoliF♯ Major22B73 BPM
5 Preludes: No. 4. Andante con moto by William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones5 Preludes: No. 4. Andante con motoWilliam Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-JonesE Major012B0 BPM
2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous) by Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna Skryleva2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous)Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna SkrylevaD Minor17A107 BPM
Mutations from Bach by Samuel Barber, Royal Scottish National Orchestra, Marin AlsopMutations from BachSamuel Barber, Royal Scottish National Orchestra, Marin AlsopB♭ Major06B92 BPM
Sonate, Op. 71: II. Nocturne – Presque adagio by Charles Koechlin, Julien Hardy, Simon ZaouiSonate, Op. 71: II. Nocturne – Presque adagioCharles Koechlin, Julien Hardy, Simon ZaouiE♭ Major05B77 BPM
Violin Concerto, Op.15: 2. Vivace by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo JärviViolin Concerto, Op.15: 2. VivaceBenjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo JärviA Minor28A101 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Minor06A81 BPM
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) by Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano ValdesEl amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night)Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano ValdesA♭ Major04B89 BPM
Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: II. Nun Laube, Lindlein, Laube - Fugato: Der Gutzgauch auf dem Zaune saß by Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony OrchestraDer Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: II. Nun Laube, Lindlein, Laube - Fugato: Der Gutzgauch auf dem Zaune saßPaul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony OrchestraA Major011B112 BPM
ISRC
GBAYC1001067
Label
L-M Records/RCA Records