"El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night)" by Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes was released on May 1, 2005. The duration of El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Falla: Amor Brujo (El) / El Sombrero De Tres Picos by Manuel de Falla, Maximiano Valdes. El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) by Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Valses Poéticos H. 147, DLR 7:8: No. 1: Melódico | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 149 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
El sombrero de tres picos - Part 1: Afternoon | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 71 BPM | ||
La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM |
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