"Violin Concerto, Op.15: 2. Vivace" by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi was released on January 1, 2009. Since Violin Concerto, Op.15: 2. Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Beethoven & Britten: Violin Concertos by Janine Jansen, Deutsche Kammerphilharmonie Bremen, London Symphony Orchestra, Paavo Järvi. In terms of popularity, Violin Concerto, Op.15: 2. Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op.15: 2. Vivace by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
The Holy Sonnets of John Donne, Op. 35: Sonnet I: Thou hast made me | Benjamin Britten, Steuart Bedford, Philip Langridge | E♭ Minor | 4 | 2A | 85 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Cello Concerto: I. Moderato | William Walton, Yo-Yo Ma, André Previn, London Symphony Orchestra | D Minor | 0 | 7A | 96 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir | A Major | 0 | 11B | 99 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 0 | 5A | 100 BPM | ||
String Quartet In F Major, M.35: 3. Très lent | Maurice Ravel, Emerson String Quartet | D♭ Major | 0 | 3B | 89 BPM | ||
Anakin's Theme | John Williams, London Symphony Orchestra | F Major | 1 | 7B | 74 BPM |
Section: 1.0649890899658203
End: 1.0696089267730713