"Symphony No. 7 in A, Op. 92: 2. Allegretto" by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti was released on January 1, 2000. Since Symphony No. 7 in A, Op. 92: 2. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Beethoven: Symphony No.7 / 3 Overtures by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Symphony No. 7 in A, Op. 92: 2. Allegretto is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 in A, Op. 92: 2. Allegretto by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento | Frédéric Chopin, Leif Ove Andsnes | D♭ Major | 0 | 3B | 66 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Eine kleine Nachtmusik in G major, K 525: I. Allegro | London Symphony Orchestra | G Major | 1 | 9B | 137 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 3 | 7A | 77 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | ||
Trio n°3, Op. 1: IV. Finale prestissimo | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | D Minor | 2 | 7A | 88 BPM |
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