Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra's 'Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato' came out on August 19, 2022. Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Prokofiev: Violin Concertos Nos. 1 & 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato by Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Etudes de Concert, S. 145: No. 2 Gnomenreigen | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | E Major | 1 | 12B | 128 BPM | ||
Cello Concerto in E Minor, Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 1 | 9A | 74 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
Viola Concerto in G Minor: I. Appassionato - Moderato | Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | G Minor | 1 | 6A | 104 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 142 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Mazurka in D Major, Op. posth. | Frédéric Chopin, Vladimir Ashkenazy | D Minor | 0 | 7A | 114 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 80 BPM |
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