"5 Preludes: No. 4. Andante con moto" by William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones was released on July 29, 2008. With 5 Preludes: No. 4. Andante con moto being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 19 in Alwyn: Concerto Grosso No. 1 / Pastoral Fantasia / 5 Preludes / Autumn Legend by William Alwyn, David Lloyd-Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 5 Preludes: No. 4. Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Preludes: No. 4. Andante con moto by William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite, K010, (1945 Version): I. Introduction | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 0 | 9B | 175 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Suite No. 3: "Le Livre d’Images": II. Cinderella's Dreams | George Templeton Strong, Swiss Orchestra, Lena-Lisa Wüstendörfer | A Minor | 1 | 8A | 79 BPM | ||
Variations on an Original Theme, Op. 36 'Enigma': Variation V. Moderato "R.P.A." | Edward Elgar, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 88 BPM | ||
Petits rêves d’enfant: No. 1, Andantino | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | F Major | 0 | 7B | 199 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
Love of the Loved (with The Royal Liverpool Philharmonic Orchestra) | Cilla Black, Royal Liverpool Philharmonic Orchestra | E♭ Major | 7 | 5B | 137 BPM | ||
Pictures at an Exhibition: 1. Gnomus (Orch. by Ravel) | Modest Mussorgsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 1 | 1B | 123 BPM |
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