"Sonate, Op. 71: II. Nocturne – Presque adagio" by Charles Koechlin, Julien Hardy, Simon Zaoui was released on November 16, 2018. The duration of Sonate, Op. 71: II. Nocturne – Presque adagio is about 3 minutes long, at 3:00. Based on our data, "Sonate, Op. 71: II. Nocturne – Presque adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Reflets". In this album, this song's track order is #5. Sonate, Op. 71: II. Nocturne – Presque adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate, Op. 71: II. Nocturne – Presque adagio by Charles Koechlin, Julien Hardy, Simon Zaoui having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert champêtre, FP 49: II. Andante | Francis Poulenc, Anima Eterna, Jos Van Immerseel, Kateřina Chroboková | E♭ Major | 0 | 5B | 114 BPM | ||
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | D Major | 0 | 10B | 169 BPM | ||
Zwei Dialoge mit Nachwort: 3. Morgenserenade | Valentin Silvestrov, Alexei Lubimov, Munich Chamber Orchestra, Christoph Poppen | E Minor | 0 | 9A | 85 BPM | ||
Printemps, Op. 18 | Darius Milhaud, Mauro Tortorelli, Angela Meluso | A Major | 1 | 11B | 100 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM |
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