Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud's 'Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto' came out on December 2, 1999. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Poulenc: Sextet / Trio / Oboe Sonata / Flute Sonata". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. The popularity of Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto by Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Le travail du peintre: Juan Gris | Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen | E Minor | 1 | 9A | 102 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Walter Hendl | B♭ Major | 2 | 6B | 101 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: IV. Langsam, mit melancholischem Ausdruck | Robert Schumann, Tabea Zimmermann, Hartmut Höll | D Major | 0 | 10B | 134 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Estampes: III. Jardins sous la pluie | Claude Debussy, Alain Planès | E Major | 1 | 12B | 94 BPM | ||
Sonate pour basson avec accompagnement piano Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Laurent Lefèvre, Emmanuel Strosser | E♭ Major | 0 | 5B | 66 BPM | ||
Concerto for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | A Minor | 2 | 8A | 89 BPM |
Section: 0.6574196815490723
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