"Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba" by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli had its release date on January 1, 1993. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Respighi: Pini di Roma; Fontane di Roma; Feste Romane". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Movements 'Petruschka': Danse russe. Allegro giusto | Igor Stravinsky, Maurizio Pollini | C Major | 3 | 8B | 118 BPM | ||
But Not For Me - l | George Gershwin, Zubin Mehta, New York Philharmonic | E Major | 0 | 12B | 72 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Symphony No. 2 "The Age of Anxiety": Pt. 2a, The Dirge. Largo | Leonard Bernstein, Philippe Entremont, New York Philharmonic | A Major | 2 | 11B | 65 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Minor | 0 | 5A | 124 BPM |