Edvard Grieg, Emil Gilels's 'Lyric Pieces Book X, Op. 71: No. 3 Puck' came out on January 1, 1974. With Lyric Pieces Book X, Op. 71: No. 3 Puck being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edvard Grieg, Emil Gilels's "Grieg: Lyric Pieces" album is number 18 out of 20. In terms of popularity, Lyric Pieces Book X, Op. 71: No. 3 Puck is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lyric Pieces Book X, Op. 71: No. 3 Puck by Edvard Grieg, Emil Gilels to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Grieg: Lyric Pieces, Book 8, Op. 65: No. 1, From Early Years | Edvard Grieg, Leif Ove Andsnes | E♭ Major | 0 | 5B | 76 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
Saint-Saëns: Mazurka No. 3 in B Minor, Op. 66 | Camille Saint-Saëns, Bertrand Chamayou | A Major | 2 | 11B | 79 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (Excerpt) | Pyotr Ilyich Tchaikovsky, Andrei Gavrilov, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 160 BPM |
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