Hector Berlioz, London Philharmonic Orchestra, Ben Gernon's 'Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March' came out on July 9, 2020. With this song being about 5 minutes long, at 5:00, "Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March" by Hector Berlioz, London Philharmonic Orchestra, Ben Gernon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 35 in the song's album "Spatial Audio - The Classical Collection". In this album, this song's track order is #3. Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March by Hector Berlioz, London Philharmonic Orchestra, Ben Gernon having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Dors, dors, heureux Faust" (Chorus, Méphistophélès, Faust) | Hector Berlioz, John Nelson, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | D Major | 1 | 10B | 83 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice | Hector Berlioz, Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 78 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Phaéton, Op.39 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 80 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | C Minor | 1 | 5A | 60 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM |
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