"Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai" by Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth was released on August 22, 1990. Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn's "Haydn: Symphonies, Vol. 4 (Nos. 45, 48, 102)" album is number 1 out of 12. Based on our statistics, Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai by Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
String Quartet No. 43 in D Minor, Op. 42, Hob. III:43: II. Menuet – Trio | Joseph Haydn, Auryn Quartet, Matthias Lingenfelder, Jens Oppermann, Stewart Eaton, Andreas Arndt | D Major | 1 | 10B | 159 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Sonata A 5: Sonata A 5 In D Major: I. Andante | Capella Istropolitana, Giuseppe Torelli | A Major | 2 | 11B | 133 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM |
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