"Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat" by Hector Berlioz, London Symphony Orchestra, Valery Gergiev was released on September 29, 2014. Since Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Berlioz: Symphonie fantastique, Waverley by Hector Berlioz, London Symphony Orchestra, Valery Gergiev. Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Valery Gergiev is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La péri - Fanfare | Paul Dukas, Roberto Benzi, Orchestre de Bordeaux Aquitaine | F♯ Major | 1 | 2B | 71 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, Cleveland Orchestra, Pierre Boulez | C Minor | 3 | 5A | 63 BPM | ||
Symphony No. 8 in G Major, Op. 88: I. Allegro con brio | Antonín Dvořák, Sir Charles Mackerras, London Philharmonic Orchestra | A Minor | 1 | 8A | 120 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 74 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM |
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