"Holst : The Planets Op.32 : VII Neptune, the Mystic" by Giacomo Puccini, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes had its release date on December 2, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Owain Arwel Hughes & Royal Philharmonic Orchestra, Owain Arwel Hughes, Royal Philharmonic Orchestra's "Holst : The Planets & Somerset Rhapsody (Apex)" album is number 7 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Holst : The Planets Op.32 : VII Neptune, the Mystic is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holst : The Planets Op.32 : VII Neptune, the Mystic by Giacomo Puccini, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Arr. for Trumpet & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere) | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | E Major | 0 | 12B | 94 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Roméo et Juliette, Act I: Ah! Je veux vivre | Charles Gounod, Pretty Yende, Giacomo Sagripanti | G Major | 3 | 9B | 78 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM |