"Viola Concerto: I. —" by Jennifer Higdon, Roberto Díaz, Nashville Symphony Orchestra, Giancarlo Guerrero was released on March 10, 2017. Since Viola Concerto: I. — is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jennifer Higdon, James Button, Roberto Díaz, Nashville Symphony Orchestra, Giancarlo Guerrero's "Higdon: All Things Majestic, Viola Concerto & Oboe Concerto (Live)" album is number 1 out of 8. Viola Concerto: I. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Viola Concerto: I. — by Jennifer Higdon, Roberto Díaz, Nashville Symphony Orchestra, Giancarlo Guerrero to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Major, Op. 8, "The Cotswolds": III. Scherzo: Presto - Allegretto | Gustav Holst, Ulster Orchestra, Joann Falletta | D Minor | 1 | 7A | 80 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
Concerto for Violin and Orchestra: II. Adagio | Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jennifer Koh | D Major | 0 | 10B | 87 BPM | ||
English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 87 BPM | ||
Symphony No. 3 - Movement I | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Minor | 4 | 4A | 155 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM |
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