"Cantata No. 4: No. 2, Pastoral" by Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee was released on August 14, 2020. The duration of Cantata No. 4: No. 2, Pastoral is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Cantata No. 4: No. 2, Pastoral's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valentin Silvestrov: Works by Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee. The song's track number on the album is #3 out of 12 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Cantata No. 4: No. 2, Pastoral is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cantata No. 4: No. 2, Pastoral by Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cantata No. 4: No. 2, Pastoral being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
Klavierstück in E Major | Anton Webern, Jean-Jacques Dünki | E Major | 1 | 12B | 63 BPM | ||
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
Märchentänze (Orchestral Version): III. A Skylark for Jane | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | A Minor | 1 | 8A | 120 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Abendlied, Op. 85 No. 12 (Arr. Grosvenor) | Robert Schumann, Benjamin Grosvenor | D♭ Major | 0 | 3B | 68 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) | Claude Debussy, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 174 BPM | ||
Concert Phantasy on 'Le coq d'or': The Tsar's Dream | Nikolai Rimsky-Korsakov, Luka Faulisi | A♭ Major | 1 | 4B | 72 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM |
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