"Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano)" by Claude Debussy, Daniel Lozakovich, Stanislav Soloviev was released on January 20, 2023. With this song being about 5 minutes long, at 4:38, "Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano)" by Claude Debussy, Daniel Lozakovich, Stanislav Soloviev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Debussy: Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) by Claude Debussy, Daniel Lozakovich, Stanislav Soloviev is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 2 | Dora Pejačević, Natasa Veljkovic | E Minor | 3 | 9A | 153 BPM | ||
12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | F♯ Minor | 0 | 11A | 104 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Violin Concerto in D Major, Op. posth., No. 2: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 104 BPM | ||
Lyrical Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Denis Kozhukhin | E♭ Major | 0 | 5B | 76 BPM | ||
Song without Words, Op. 109 | Felix Mendelssohn, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 1 | 10B | 171 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto (Cadenza: Dueñas) | María Dueñas, Ludwig van Beethoven, Wiener Symphoniker, Manfred Honeck | G Major | 1 | 9B | 96 BPM |
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