"Ave María (Arr. Víkingur Ólafsson) - Upright Piano" by Sigvaldi Kaldalóns, Víkingur Ólafsson was released on July 22, 2022. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sigvaldi Kaldalóns, Víkingur Ólafsson's "Kaldalóns: Ave María (Arr. Víkingur Ólafsson)" album is number 2 out of 2. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ave María (Arr. Víkingur Ólafsson) - Upright Piano is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave María (Arr. Víkingur Ólafsson) - Upright Piano by Sigvaldi Kaldalóns, Víkingur Ólafsson to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Bertrand Chamayou | F Minor | 1 | 4A | 63 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
Tuesday | Annelie | E Minor | 0 | 9A | 105 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
The Wanderer | Stephan Moccio | D Minor | 0 | 7A | 74 BPM | ||
Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | B Minor | 0 | 10A | 100 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
II. L’istesso tempo (from 3 Hungarian Folksongs from Csík, Sz. 35a/2) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Miniatures for Piano "A Whole in Twelve": No. 7, Clouds | Mikael Ayrapetyan | E♭ Major | 0 | 5B | 71 BPM | ||
Quietly Quietly | Peter Cavallo | E♭ Major | 0 | 5B | 130 BPM |
Section: 0.8512847423553467
End: 0.8549549579620361