Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon's 'Märchentänze (Orchestral Version): III. A Skylark for Jane' came out on October 7, 2022. The duration of Märchentänze (Orchestral Version): III. A Skylark for Jane is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Märchentänze (Orchestral Version): III. A Skylark for Jane's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Adès: Orchestral Works by Thomas Adès, Pekka Kuusisto, Tomas Nuñez, Finnish Radio Symphony Orchestra, Nicholas Collon. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Based on our statistics, Märchentänze (Orchestral Version): III. A Skylark for Jane's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Märchentänze (Orchestral Version): III. A Skylark for Jane by Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in F Major: II. Assez vif, tres rhythme | Maurice Ravel, Cavani Quartet | C Major | 1 | 8B | 148 BPM | ||
Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
Matty Drawing | Balanescu Quartet | A Minor | 0 | 8A | 68 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Violin Concerto "Distant Light": Andante I | Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu | E♭ Major | 0 | 5B | 128 BPM | ||
Autrefois un roi de Thulé (Berlioz: La Damnation de Faust) | Hector Berlioz, Monica Groop, Muhai Tang, Finnish Radio Symphony Orchestra | F Major | 1 | 7B | 74 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Andante for Strings | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 0 | 7B | 56 BPM | ||
Quartet for the End of Time: V. Louange à l'Eternité de Jésus | Olivier Messiaen, Sheku Kanneh-Mason, James Baillieu | C Major | 0 | 8B | 122 BPM |
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