Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova
François Couperin, Marina Baranova
Hypersuites
2:10 August 26, 2016
BPM
69
Key
A♭ Major
Camelot
4B

Embed

Share Link

Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova - François Couperin, Marina Baranova Information

Acousticness
100%
Danceability
35%
Energy
1%
Instrumentalness
88%
Liveness
10%
Loudness
50%
Speechiness
4%
Valence
9%
Popularity
Loudness
-29.837 dB

Summary

"Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova" by François Couperin, Marina Baranova was released on August 26, 2016. The duration of Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marina Baranova's "Hypersuites" album is number 1 out of 20. On top of that, Germany appears to be the country where this track was created. Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova BPM

We consider the tempo marking of Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova by François Couperin, Marina Baranova to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Chaconne in sol maggiore : Variazione 10 by Lazar BermanChaconne in sol maggiore : Variazione 10Lazar BermanG Minor06A71 BPM
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) by Gustav Mahler, John Gribben, Edward WolaninSymphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano)Gustav Mahler, John Gribben, Edward WolaninF Major07B71 BPM
Vagiorko mai / Don't You Love Me? by Traditional, Khatia BuniatishviliVagiorko mai / Don't You Love Me?Traditional, Khatia BuniatishviliC Minor15A89 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) by Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu HerzogOrfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu HerzogB Minor110A87 BPM
Sonata in F Minor, L. 118 by Domenico Scarlatti, Vladimir HorowitzSonata in F Minor, L. 118Domenico Scarlatti, Vladimir HorowitzD Major110B146 BPM
Berceuse, Op. 2 by Dora Pejačević, Natasa VeljkovicBerceuse, Op. 2Dora Pejačević, Natasa VeljkovicE Minor39A153 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Toccata arpeggiata by Giovanni Girolamo Kapsberger, Jonas NordbergToccata arpeggiataGiovanni Girolamo Kapsberger, Jonas NordbergF Major07B115 BPM
Sonata in G Major, KK. 455 by Domenico Scarlatti, Yuja WangSonata in G Major, KK. 455Domenico Scarlatti, Yuja WangG Major19B139 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
ISRC
DES380022736
Label
L-M Records/RCA Records

Section: 0.7293152809143066

End: 0.7329707145690918