"Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight" by Benjamin Britten, London Symphony Orchestra, Steuart Bedford was released on May 1, 2005. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 18 in Britten: Sinfonia Da Requiem / Gloriana Suite / Sea Interludes by Benjamin Britten, Steuart Bedford. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight by Benjamin Britten, London Symphony Orchestra, Steuart Bedford is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother Goose: IV. Les entretiens de la belle et de la bête | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Major | 0 | 8B | 39 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Symphony No.1 in E Major, Op. 26: III. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | C Major | 1 | 8B | 89 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Pelléas et Mélisande, Op. 80: 2. Andantino quasi allegretto | Gabriel Fauré, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 0 | 8B | 88 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Symphony No. 4 in C Minor, Op. 43: II. Moderato con moto | Dmitri Shostakovich, London Symphony Orchestra, Gianandrea Noseda | C Major | 0 | 8B | 138 BPM | ||
Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM |
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